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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Theme. AllegrettoMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IIMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IIIMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IVMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VIMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VIIMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VIIIMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IXMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. AdagioMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi AndanteMartha Argerich
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Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. AllegroMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - 1. Adagio sostenutoTitleMartha Argerich
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Beethoven : Sonata For Cello And Piano No.1 In F Op.5 No.1 - 1. AllegroMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - 1. Adagio - PrestoMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - 2. Rondo. Allegro vivaceMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 2 in G Minor, Op. 5 No. 2 - 1a. Adagio sostenuto e espressivoMartha Argerich
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Beethoven : Sonata For Cello And Piano No.2 In G Minor Op.5 No.2 - 1B. Allegro Molto Piu Tosto PrestoMartha Argerich
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Beethoven : Sonata For Cello And Piano No.2 In G Minor Op.5 No.2 - 2. Rondo (Allegro)Martha Argerich
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Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. AndanteMartha Argerich
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Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IMartha Argerich
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Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IIMartha Argerich
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Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IIIMartha Argerich
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Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IVMartha Argerich
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Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivaceMartha Argerich
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Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. AdagioMartha Argerich
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Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppoMartha Argerich
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Beethoven : Sonata For Cello And Piano No.3 In A Op.69 - 1. Allegro Ma Non TantoMartha Argerich
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베토벤: 첼로 소나타 3번 가장조, 작품번호 69: 2. Scherzo. Allegro moltoMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 3 in A Major, Op. 69 - 3. Adagio cantabileMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 3 in A Major, Op. 69 - 4. Allegro vivaceMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 - 1. AndanteMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 - 2. Allegro vivaceMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 - 3. AdagioMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 - 4. Allegro vivaceMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 5 in D Major, Op. 102 No. 2 - 1. Allegro con brioMartha Argerich
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Beethoven : Sonata For Cello And Piano No.5 In D Op.102 No.2 - 2. Adagio Con Molto Sentimento D'affettoMartha Argerich
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Beethoven: Sonata for Cello and Piano No. 5 in D Major, Op. 102 No. 2 - 3. Allegro - Allegro fugatoMartha Argerich
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Beethoven: 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 - Thema. AllegrettoMartha Argerich
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Beethoven: 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 - Variation IMartha Argerich
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Beethoven: 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 - Variation IIMartha Argerich
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Beethoven: 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 - Variation IIIMartha Argerich
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Beethoven: 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IVMartha Argerich
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Beethoven: 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VMartha Argerich
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Beethoven: 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VIMartha Argerich
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Beethoven: 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VIIMartha Argerich
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Beethoven: 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VIIIMartha Argerich
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Beethoven: 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IXMartha Argerich
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Beethoven: 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation X. AllegroMartha Argerich
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Beethoven: 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XI. AdagioMartha Argerich
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Beethoven: 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XII. AllegroMartha Argerich
Martha Argerich | Beethoven: The Cello Sonatas