2018.08.31 · 정규

Leonard Bernstein - The Harvard Lectures

Leonard Bernstein

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  1. 1Vol.I - Musical Phonology - First of AllTitleLeonard Bernstein
  2. 2Vol.I - Musical Phonology - Perhaps the Principal ThingLeonard Bernstein
  3. 3Vol.I - Musical Phonology - Let Me StartLeonard Bernstein
  4. 4Vol.I - Musical Phonology - This is Not Just a Sentimental AnecdoteLeonard Bernstein
  5. 5Vol.I - Musical Phonology - From this TimeLeonard Bernstein
  6. 6Vol.I - Musical Phonology - But How do we InvestigateLeonard Bernstein
  7. 7Vol.I - Musical Phonology - Now You Can SeeLeonard Bernstein
  8. 8Vol.I - Musical Phonology - Universality is a Big WordLeonard Bernstein
  9. 9Vol.I - Musical Phonology - Other LinguistsLeonard Bernstein
  10. 10Vol.I - Musical Phonology - I Began by Imagining MyselfLeonard Bernstein
  11. 11Vol.I - Musical Phonology - Well, Then I ThoughtLeonard Bernstein
  12. 12Vol.I - Musical Phonology - Let's Make a Simple AnalogyLeonard Bernstein
  13. 13Vol.I - Musical Phonology - Maybe Even a Divine OneLeonard Bernstein
  14. 14Vol.I - Musical Phonology - But Where do these Notes Come from?Leonard Bernstein
  15. 15Vol.I - Musical Phonology - This Acoustical PhenomenonLeonard Bernstein
  16. 16Vol.I - Musical Phonology - All These Upper NotesLeonard Bernstein
  17. 17Vol.I - Musical Phonology - The First OvertoneLeonard Bernstein
  18. 18Vol.I - Musical Phonology - But More of that LaterLeonard Bernstein
  19. 19Vol.I - Musical Phonology - But Let's Not Make the MistakeLeonard Bernstein
  20. 20Vol.I - Musical Phonology - And that's how the Tempered ClavichordLeonard Bernstein
  21. 21Vol.I - Musical Phonology - Now this is a Substantive UniversalLeonard Bernstein
  22. 22Vol.I - Musical Phonology - But Let's be CarefulLeonard Bernstein
  23. 23Vol.I - Musical Phonology - And there is Always that Blue NoteLeonard Bernstein
  24. 24Vol.I - Musical Phonology - But Even these Twelve TonesLeonard Bernstein
  25. 25Vol.I - Musical Phonology - I Trust You RealizeLeonard Bernstein
  26. 26Vol.I - Musical Phonology - And Again Comes a Great LeapLeonard Bernstein
  27. 27Vol.I - Musical Phonology - Now this MeansLeonard Bernstein
  28. 28Vol.I - Musical Phonology - This Is Not to Say that There Were No Drastic ChangesLeonard Bernstein
  29. 29Vol.I - Musical Phonology - But Meanwhile we are Still in the Golden AgeLeonard Bernstein
  30. 30Vol.I - Musical Phonology - So, we're in the Midst of a Chromatic AdventureLeonard Bernstein
  31. 31Vol.I - Musical Phonology - And All by Those ProgressionsLeonard Bernstein
  32. 32Vol.I - Musical Phonology - Now, I Must Point OutLeonard Bernstein
  33. 33Vol.I - Musical Phonology - Do you RealizeLeonard Bernstein
  34. 34Mozart : Symphony No.40 In G Minor K.550 - I. Molto Allegro (모차르트 : 교향곡 40번 사단조 - 1악장)Leonard Bernstein
  35. 35Mozart : Symphony No.40 In G Minor K.550 - II. Andante (모차르트 : 교향곡 40번 사단조 - 2악장)Leonard Bernstein
  36. 36Mozart : Symphony No.40 In G Minor K.550 - III. Menuetto, Allegretto (모차르트 : 교향곡 40번 사단조 - 3악장)Leonard Bernstein
  37. 37Mozart : Symphony No.40 In G Minor K.550 - IV. Finale. Allegro assai (모차르트 : 교향곡 40번 사단조 - 4악장)Leonard Bernstein
  38. 38Vol.II - Musical Syntax - Every Once in a WhileLeonard Bernstein
  39. 39Vol.II - Musical Syntax - Last WeekLeonard Bernstein
  40. 40Vol.II - Musical Syntax - Amen, says Noam ChomskyLeonard Bernstein
  41. 41Vol.II - Musical Syntax - I Suppose What Chomsky is Really AfterLeonard Bernstein
  42. 42Vol.II - Musical Syntax - So, Let's Pull Up Our SocksLeonard Bernstein
  43. 43Vol.II - Musical Syntax - All Right, Let's Try Another OneLeonard Bernstein
  44. 44Vol.II - Musical Syntax - Why Am I Taking Your TimeLeonard Bernstein
  45. 45Vol.II - Musical Syntax - Well ThenLeonard Bernstein
  46. 46Vol.II - Musical Syntax - I Think it FollowsLeonard Bernstein
  47. 47Vol.II - Musical Syntax - But First, What are These PrinciplesLeonard Bernstein
  48. 48Vol.II - Musical Syntax - Tranformational GrammarLeonard Bernstein
  49. 49Vol.II - Musical Syntax - But Now Just Think of that SentenceLeonard Bernstein
  50. 50Vol.II - Musical Syntax - Since this is not a Linguistics ClassLeonard Bernstein
  51. 51Vol.II - Musical Syntax - Take the Passive TransformationLeonard Bernstein
  52. 52Vol.II - Musical Syntax - Well, it hasn't Brought us ThereLeonard Bernstein
  53. 53Vol.II - Musical Syntax - Now Just as Three Notes are Linked TogetherLeonard Bernstein
  54. 54Vol.II - Musical Syntax - Now let's Go BackLeonard Bernstein
  55. 55Vol.II - Musical Syntax - Now We Are ReadyLeonard Bernstein
  56. 56Vol.II - Musical Syntax - Now I Wanna Take YouLeonard Bernstein
  57. 57Vol.II - Musical Syntax - Well, Transformation, Deletion, Embedding, PronominalizationLeonard Bernstein
  58. 58Vol.II - Musical Syntax - I Am Sure I Don't Have to TroubleLeonard Bernstein
  59. 59Vol.II - Musical Syntax - Here I GoLeonard Bernstein
  60. 60Vol.II - Musical Syntax - I Have Asked MyselfLeonard Bernstein
  61. 61Vol.II - Musical Syntax - I Became so FascinatedLeonard Bernstein
  62. 62Vol.II - Musical Syntax - Let's Take one Such UtteranceLeonard Bernstein
  63. 63Vol.II - Musical Syntax - Now ImagineLeonard Bernstein
  64. 64Vol.II - Musical Syntax - Now Let's SeeLeonard Bernstein
  65. 65Vol.II - Musical Syntax - Mozart's G Minor SymphonyLeonard Bernstein
  66. 66Vol.II - Musical Syntax - Now Our Job isLeonard Bernstein
  67. 67Vol.II - Musical Syntax - That Introductory AccompanimentLeonard Bernstein
  68. 68Vol.II - Musical Syntax - What Does this Three-Note Design MeanLeonard Bernstein
  69. 69Vol.II - Musical Syntax - The Reason I Pick SymmetryLeonard Bernstein
  70. 70Vol.II - Musical Syntax - Now From Here OnLeonard Bernstein
  71. 71Vol.II - Musical Syntax - And Once Again, We Are BackLeonard Bernstein
  72. 72Vol.II - Musical Syntax - By Far the Chief Transformational PrincipleLeonard Bernstein
  73. 73Vol.II - Musical Syntax - You See, One of the Great FailingsLeonard Bernstein
  74. 74Vol.II - Musical Syntax - Most People Hearing Mozart's OpeningLeonard Bernstein
  75. 75Vol.II - Musical Syntax - So What Your AskLeonard Bernstein
  76. 76Vol.II - Musical Syntax - And if You are Still not ConvincedLeonard Bernstein
  77. 77Vol.II - Musical Syntax - These AmbiguitiesLeonard Bernstein
  78. 78Vol.II - Musical Syntax - For Instance, in this Same First MovementLeonard Bernstein
  79. 79Vol.II - Musical Syntax - So All these Syntactic Transformations of the Same MaterialLeonard Bernstein
  80. 80Vol.II - Musical Syntax - He Talks About this SonnetLeonard Bernstein
  81. 81Vol.II - Musical Syntax - Because Now it's TimeLeonard Bernstein
  82. 82Vol.II - Musical Syntax - But Now Let's Listen toLeonard Bernstein
  83. 83Vol.II - Musical Syntax - Listen to the Whole ExpositionLeonard Bernstein
  84. 84Vol.II - Musical Syntax - Development Coming UpLeonard Bernstein
  85. 85Vol.II - Musical Syntax - The Circle of Fifths AgainLeonard Bernstein
  86. 86Vol.II - Musical Syntax - And That Was all One Single SentenceLeonard Bernstein
  87. 87Vol.III - Musical Semantics - The Other DayLeonard Bernstein
  88. 88Vol.III - Musical Semantics - The First Would Show Us One MeaningLeonard Bernstein
  89. 89Vol.III - Musical Semantics - Think of this Famous PassageLeonard Bernstein
  90. 90Vol.III - Musical Semantics - A Linguist Would SayLeonard Bernstein
  91. 91Vol.III - Musical Semantics - Well, I Replied, Chomsky Would SayLeonard Bernstein
  92. 92Vol.III - Musical Semantics - Of Course, That Last Metaphorical LeapLeonard Bernstein
  93. 93Vol.III - Musical Semantics - Terrific, Said My Blonde InquisitorLeonard Bernstein
  94. 94Vol.III - Musical Semantics - In Fact, When You Think of the NumberLeonard Bernstein
  95. 95Vol.III - Musical Semantics - All Right, First Let's Look BrieflyLeonard Bernstein
  96. 96Vol.III - Musical Semantics - Playing, That's the WordLeonard Bernstein
  97. 97Vol.III - Musical Semantics - But Does This Stravinskian Game ConceptLeonard Bernstein
  98. 98Vol.III - Musical Semantics - There Are Three Specific WaysLeonard Bernstein
  99. 99Vol.III - Musical Semantics - Now, Having Defined My Usages of MetaphorLeonard Bernstein
  100. 100Vol.III - Musical Semantics - And Here We Are in TroubleLeonard Bernstein
  101. 101Vol.III - Musical Semantics - Are We Feeling What Beethoven Supposedly FeltLeonard Bernstein
  102. 102Vol.III - Musical Semantics - We Will Never KnowLeonard Bernstein
  103. 103Vol.III - Musical Semantics - Now, If We Accept This General IdeaLeonard Bernstein
  104. 104Vol.III - Musical Semantics - In Our Last LectureLeonard Bernstein
  105. 105Vol.III - Musical Semantics - We All Recognize AntithesisLeonard Bernstein
  106. 106Vol.III - Musical Semantics - It Can And It DoesLeonard Bernstein
  107. 107Vol.III - Musical Semantics - And Again, as in the PoemLeonard Bernstein
  108. 108Vol.III - Musical Semantics - In Fact, it Has Been Authoritatively SuggestedLeonard Bernstein
  109. 109Vol.III - Musical Semantics - We Can Expand the IdeaLeonard Bernstein
  110. 110Vol.III - Musical Semantics - What Do You SupposeLeonard Bernstein
  111. 111Vol.III - Musical Semantics - What' Seriously StrikingLeonard Bernstein
  112. 112Vol.III - Musical Semantics - So Why the Pastorale on this LectureLeonard Bernstein
  113. 113Vol.III - Musical Semantics - Let's Begin at the BeginningLeonard Bernstein
  114. 114Vol.III - Musical Semantics - But What of the More Obvious Melodic MaterialLeonard Bernstein
  115. 115Vol.III - Musical Semantics - But to Develop HowLeonard Bernstein
  116. 116Vol.III - Musical Semantics - Now We Have an InsightLeonard Bernstein
  117. 117Vol.III - Musical Semantics - But WaitLeonard Bernstein
  118. 118Vol.III - Musical Semantics - But Why Were Just Those Two Notes AddedLeonard Bernstein
  119. 119Vol.III - Musical Semantics - The Metaphor ArisesLeonard Bernstein
  120. 120Vol.III - Musical Semantics - But in the Ensuing Four BarsLeonard Bernstein
  121. 121Vol.III - Musical Semantics - But That's Not the Main EventLeonard Bernstein
  122. 122Vol.III - Musical Semantics - Well, That's the BeginningLeonard Bernstein
  123. 123Vol.III - Musical Semantics - That's One of the QuestionsLeonard Bernstein
  124. 124Vol.III - Musical Semantics - This Interference of the Two FrequenciesLeonard Bernstein
  125. 125Vol.III - Musical Semantics - But What Are We to SayLeonard Bernstein
  126. 126Vol.III - Musical Semantics - It Is To Be FoundLeonard Bernstein
  127. 127Vol.III - Musical Semantics - Now That's One Way of LookingLeonard Bernstein
  128. 128Vol.III - Musical Semantics - At This PointLeonard Bernstein
  129. 129Vol.III - Musical Semantics - Even if You Can SucceedLeonard Bernstein
  130. 130Beethoven : Symphony No.6 In F Major Op.68 'Pastoral' - I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo (베토벤 : 교향곡 6번 바장조 작품번호 68 '전원' - 1악장)Leonard Bernstein
  131. 131Beethoven : Symphony No.6 In F Major Op.68 'Pastoral' - II. Szene Am Bach. Andante Molto Mosso (베토벤 : 교향곡 6번 바장조 작품번호 68 '전원' - 2악장)Leonard Bernstein
  132. 132Beethoven : Symphony No.6 In F Major Op.68 'Pastoral' - III. Lustiges Zusammensein Der Landleute. Allegro (베토벤 : 교향곡 6번 바장조 작품번호 68 '전원' - 3악장)Leonard Bernstein
  133. 133Beethoven : Symphony No.6 In F Major Op.68 'Pastoral' - IV. Gewitter Storm. Allegro (베토벤 : 교향곡 6번 바장조 작품번호 68 '전원' - 4악장)Leonard Bernstein
  134. 134Beethoven : Symphony No.6 In F Major Op.68 'Pastoral' - V. Allegretto 'Hirtengesang. Frohe Und Dankbare Gefuhle Nach Dem Sturm' (베토벤 : 교향곡 6번 바장조 작품번호 68 '전원' - 5악장 '목동의 노래, 폭풍이 지나간 뒤의 기쁨과 감사')Leonard Bernstein
  135. 135Vol.IV - The Delights and Dangers of Ambiguity - When I First Wrote Down the TitleLeonard Bernstein
  136. 136Vol.IV - The Delights and Dangers of Ambiguity - Part of the DangerLeonard Bernstein
  137. 137Vol.IV - The Delights and Dangers of Ambiguity - The Idea of AmbiguityLeonard Bernstein
  138. 138Vol.IV - The Delights and Dangers of Ambiguity - Similarly, in Our Second LectureLeonard Bernstein
  139. 139Vol.IV - The Delights and Dangers of Ambiguity - Then What's the Magic SecretLeonard Bernstein
  140. 140Vol.IV - The Delights and Dangers of Ambiguity - Enough of AmbiguityLeonard Bernstein
  141. 141Vol.IV - The Delights and Dangers of Ambiguity - The Irony of All ThisLeonard Bernstein
  142. 142Vol.IV - The Delights and Dangers of Ambiguity - But, Mind YouLeonard Bernstein
  143. 143Vol.IV - The Delights and Dangers of Ambiguity - Where Music Was ConcernedLeonard Bernstein
  144. 144Vol.IV - The Delights and Dangers of Ambiguity - Only Think OfLeonard Bernstein
  145. 145Vol.IV - The Delights and Dangers of Ambiguity - And Chopin Well We Can't Ignore ChopinLeonard Bernstein
  146. 146Vol.IV - The Delights and Dangers of Ambiguity - And Then, in The Same Little MazurkaLeonard Bernstein
  147. 147Vol.IV - The Delights and Dangers of Ambiguity - Foolish QuestionsLeonard Bernstein
  148. 148Vol.IV - The Delights and Dangers of Ambiguity - Let Me Try to Read YouLeonard Bernstein
  149. 149Vol.IV - The Delights and Dangers of Ambiguity - Listen To ThisLeonard Bernstein
  150. 150Vol.IV - The Delights and Dangers of Ambiguity - They Began to IntermingleLeonard Bernstein
  151. 151Vol.IV - The Delights and Dangers of Ambiguity - The Pivotal PointLeonard Bernstein
  152. 152Vol.IV - The Delights and Dangers of Ambiguity - So There Is a Dramatic ChangeLeonard Bernstein
  153. 153Vol.IV - The Delights and Dangers of Ambiguity - So it is After All Not So SurprisingLeonard Bernstein
  154. 154Vol.IV - The Delights and Dangers of Ambiguity - Now If You NoticedLeonard Bernstein
  155. 155Vol.IV - The Delights and Dangers of Ambiguity - You See, the Music Is Trying HardLeonard Bernstein
  156. 156Vol.IV - The Delights and Dangers of Ambiguity - So That Instant in Musical TimeLeonard Bernstein
  157. 157Vol.IV - The Delights and Dangers of Ambiguity - Now Romeo Is All Stirred UpLeonard Bernstein
  158. 158Berlioz : Romeo And Juliet Op.17 - I. Roméo Seul. Tristesse-Bruits de Concerts et de Bal-Grand Fête chez Capulet. Andante malinconico e sostenutoLeonard Bernstein
  159. 159Berlioz : Romeo And Juliet Op.17 - Allegro-Larghetto espressivo (Inst.)Leonard Bernstein
  160. 160Berlioz : Romeo And Juliet Op.17 - Allegro (Inst.)Leonard Bernstein
  161. 161Berlioz : Romeo And Juliet Op.17 - Réunion des duex Themes, du Larghetto et de l'Allegro (Inst.)Leonard Bernstein
  162. 162Vol.IV - The Delights and Dangers of Ambiguity - What a PieceLeonard Bernstein
  163. 163Vol.IV - The Delights and Dangers of Ambiguity - Quite Unconsciously BorrowedLeonard Bernstein
  164. 164Vol.IV - The Delights and Dangers of Ambiguity - My Purpose In All ThisLeonard Bernstein
  165. 165Vol.IV - The Delights and Dangers of Ambiguity - Is It, Says WagnerLeonard Bernstein
  166. 166Vol.IV - The Delights and Dangers of Ambiguity - Every Diminished Seventh ChordLeonard Bernstein
  167. 167Vol.IV - The Delights and Dangers of Ambiguity - Now the Remarkable Thing IsLeonard Bernstein
  168. 168Vol.IV - The Delights and Dangers of Ambiguity - And This Is What Gives TristanLeonard Bernstein
  169. 169Vol.IV - The Delights and Dangers of Ambiguity - Prelude and Love-Death (From 'Tristan and Isolde')Leonard Bernstein
  170. 170Vol.IV - The Delights and Dangers of Ambiguity - That May be the Slowest PerformanceLeonard Bernstein
  171. 171Vol.IV - The Delights and Dangers of Ambiguity - But UltimatelyLeonard Bernstein
  172. 172Vol.IV - The Delights and Dangers of Ambiguity - Poetry Has Begun to ShowLeonard Bernstein
  173. 173Vol.IV - The Delights and Dangers of Ambiguity - And When DebussyLeonard Bernstein
  174. 174Vol.IV - The Delights and Dangers of Ambiguity - It's Lovely, This DreamingLeonard Bernstein
  175. 175Vol.IV - The Delights and Dangers of Ambiguity - For Example, Do You RememberLeonard Bernstein
  176. 176Vol.IV - The Delights and Dangers of Ambiguity - In Fact, the Ending of this PieceLeonard Bernstein
  177. 177Vol.IV - The Delights and Dangers of Ambiguity - Let Me Show You BrieflyLeonard Bernstein
  178. 178Vol.IV - The Delights and Dangers of Ambiguity - This New Episode that ProceedsLeonard Bernstein
  179. 179Vol.IV - The Delights and Dangers of Ambiguity - For Instance, Hardly Have We Had TimeLeonard Bernstein
  180. 180Vol.IV - The Delights and Dangers of Ambiguity - Because the ScaleLeonard Bernstein
  181. 181Vol.IV - The Delights and Dangers of Ambiguity - It's Almost Exactly What HappensLeonard Bernstein
  182. 182Vol.IV - The Delights and Dangers of Ambiguity - Literally TranslatedLeonard Bernstein
  183. 183Vol.IV - The Delights and Dangers of Ambiguity - But Notice, Too, that the ExampleLeonard Bernstein
  184. 184Vol.IV - The Delights and Dangers of Ambiguity - Both Works Have Definitive BeginningsLeonard Bernstein
  185. 185Vol.IV - The Delights and Dangers of Ambiguity - Listen As I PlayLeonard Bernstein
  186. 186Debussy : Prelude A L'apres-Midi D'un Faune L.86 (드뷔시 : 목신의 오후에의 전주곡) (Remastered)Leonard Bernstein
  187. 187Vol.IV - The Delights and Dangers of Ambiguity - Some Crazy Modern MusicLeonard Bernstein
  188. 188Vol.V - The Twentieth Century Crisis - Our Lecture TonightLeonard Bernstein
  189. 189Vol.V - The Twentieth Century Crisis - Rhapsodie Espagnole M.54 - IV. Feria. Assez AnimeLeonard Bernstein
  190. 190Vol.V - The Twentieth Century Crisis - What a Way to Enter the Twentieth CenturyLeonard Bernstein
  191. 191Vol.V - The Twentieth Century Crisis - But 1908, if the Truth to be ToldLeonard Bernstein
  192. 192Vol.V - The Twentieth Century Crisis - These Troubling PresentimentsLeonard Bernstein
  193. 193Vol.V - The Twentieth Century Crisis - So, now in 1908Leonard Bernstein
  194. 194Vol.V - The Twentieth Century Crisis - This Is AtonalityLeonard Bernstein
  195. 195Vol.V - The Twentieth Century Crisis - A Charming IdeaLeonard Bernstein
  196. 196Vol.V - The Twentieth Century Crisis - The Unanswered QuestionLeonard Bernstein
  197. 197Vol.V - The Twentieth Century Crisis - I that Luminous Final TriadLeonard Bernstein
  198. 198Vol.V - The Twentieth Century Crisis - I Have Recently Been ReadingLeonard Bernstein
  199. 199Vol.V - The Twentieth Century Crisis - We Have Already Referred to Some of ThoseLeonard Bernstein
  200. 200Vol.V - The Twentieth Century Crisis - In Any CaseLeonard Bernstein
  201. 201Vol.V - The Twentieth Century Crisis - But For All These ReasonsLeonard Bernstein
  202. 202Vol.V - The Twentieth Century Crisis - Son of TristanLeonard Bernstein
  203. 203Vol.V - The Twentieth Century Crisis - Now You Look at Those First Two BarsLeonard Bernstein
  204. 204Vol.V - The Twentieth Century Crisis - Of Course, There Are LotsLeonard Bernstein
  205. 205Vol.V - The Twentieth Century Crisis - It's as Though a New CovenantLeonard Bernstein
  206. 206Vol.V - The Twentieth Century Crisis - Trouble is, That the New Musical RulesLeonard Bernstein
  207. 207Vol.V - The Twentieth Century Crisis - The Kind of Tonal FeelingLeonard Bernstein
  208. 208Vol.V - The Twentieth Century Crisis - Of Course, There Are Those Who SayLeonard Bernstein
  209. 209Vol.V - The Twentieth Century Crisis - It Seems Somehow InevitableLeonard Bernstein
  210. 210Vol.V - The Twentieth Century Crisis - Is There Possibly the BeginningLeonard Bernstein
  211. 211Vol.V - The Twentieth Century Crisis - And What About Beethoven's NinethLeonard Bernstein
  212. 212Vol.V - The Twentieth Century Crisis - These Are Some of the ProblemsLeonard Bernstein
  213. 213Vol.V - The Twentieth Century Crisis - Now Let's Jump AheadLeonard Bernstein
  214. 214Vol.V - The Twentieth Century Crisis - Let's Put it Another WayLeonard Bernstein
  215. 215Vol.V - The Twentieth Century Crisis - First of All, Berg Chose a Tone RowLeonard Bernstein
  216. 216Vol.V - The Twentieth Century Crisis - So, All in AllLeonard Bernstein
  217. 217Vol.V - The Twentieth Century Crisis - Berg : Violin Concerto (Excerpt)Leonard Bernstein
  218. 218Vol.V - The Twentieth Century Crisis - FantasticLeonard Bernstein
  219. 219Vol.V - The Twentieth Century Crisis - It Comes at a PointLeonard Bernstein
  220. 220Vol.V - The Twentieth Century Crisis - Berg : Violin Concerto - II. Allegro, ma sempre rubatoLeonard Bernstein
  221. 221Vol.V - The Twentieth Century Crisis - If This Particularly Demanding LectureLeonard Bernstein
  222. 222Vol.V - The Twentieth Century Crisis - If You Really Have Been ThinkingLeonard Bernstein
  223. 223Vol.V - The Twentieth Century Crisis - But While Restudying this WorkLeonard Bernstein
  224. 224Vol.V - The Twentieth Century Crisis - The Twentieth CenturyLeonard Bernstein
  225. 225Vol.V - The Twentieth Century Crisis - What Do You Do If You Know All ThisLeonard Bernstein
  226. 226Vol.V - The Twentieth Century Crisis - It's Very Strange, How the PiecesLeonard Bernstein
  227. 227Vol.V - The Twentieth Century Crisis - What Exactly Was This NewsLeonard Bernstein
  228. 228Vol.V - The Twentieth Century Crisis - We Emerge From a CinemaLeonard Bernstein
  229. 229Vol.V - The Twentieth Century Crisis - As You Listen to This FinaleLeonard Bernstein
  230. 230Vol.V - The Twentieth Century Crisis - This is MahlerLeonard Bernstein
  231. 231Mahler : Symphony No.9 In D Major - IV. Satz. Adagio. Sehr Langsam Und Noch Zurueckhaltend (말러 : 교향곡 9번 라장조 - 4악장)Leonard Bernstein
  232. 232Vol.VI - The Poetry of Earth - I Know What Your Are ThinkingLeonard Bernstein
  233. 233Vol.VI - The Poetry of Earth - What About ThisLeonard Bernstein
  234. 234Vol.VI - The Poetry of Earth - I Am Plaguing You With this QuestionLeonard Bernstein
  235. 235Vol.VI - The Poetry of Earth - Of Course What he is Really Talking AboutLeonard Bernstein
  236. 236Vol.VI - The Poetry of Earth - But It Was PreciselyLeonard Bernstein
  237. 237Vol.VI - The Poetry of Earth - Now I Have Just Used Two WordsLeonard Bernstein
  238. 238Vol.VI - The Poetry of Earth - In Fact, It Was Satie, Picasso, and CocteauLeonard Bernstein
  239. 239Vol.VI - The Poetry of Earth - But Our SceneLeonard Bernstein
  240. 240Vol.VI - The Poetry of Earth - Even in the MostLeonard Bernstein
  241. 241Vol.VI - The Poetry of Earth - For Our PurposesLeonard Bernstein
  242. 242Vol.VI - The Poetry of Earth - Musicologists Are Always PointingLeonard Bernstein
  243. 243Vol.VI - The Poetry of Earth - But Bitonality Does Not Only ServeLeonard Bernstein
  244. 244Vol.VI - The Poetry of Earth - Of Course, Polytonality Can And DoesLeonard Bernstein
  245. 245Vol.VI - The Poetry of Earth - Now What's Going OnLeonard Bernstein
  246. 246Vol.VI - The Poetry of Earth - And While You Are in That Record ShopLeonard Bernstein
  247. 247Vol.VI - The Poetry of Earth - Of Course, These AsymmetriesLeonard Bernstein
  248. 248Vol.VI - The Poetry of Earth - Brutal It May BeLeonard Bernstein
  249. 249Vol.VI - The Poetry of Earth - Now, RememberLeonard Bernstein
  250. 250Vol.VI - The Poetry of Earth - These Are Two SetsLeonard Bernstein
  251. 251Vol.VI - The Poetry of Earth - Just Cast An EyeLeonard Bernstein
  252. 252Vol.VI - The Poetry of Earth - Now That Page of MusicLeonard Bernstein
  253. 253Vol.VI - The Poetry of Earth - But the Most Striking Semantic EffectLeonard Bernstein
  254. 254Vol.VI - The Poetry of Earth - This New Aesthetic RelaxationLeonard Bernstein
  255. 255Vol.VI - The Poetry of Earth - Even Some GermansLeonard Bernstein
  256. 256Vol.VI - The Poetry of Earth - You Can See How the TransformationLeonard Bernstein
  257. 257Vol.VI - The Poetry of Earth - Chomsky Himself Gives a Classic ExampleLeonard Bernstein
  258. 258Vol.VI - The Poetry of Earth - Very Important, the Ironic ElementLeonard Bernstein
  259. 259Vol.VI - The Poetry of Earth - So, It Would SeemLeonard Bernstein
  260. 260Vol.VI - The Poetry of Earth - But This Neoclassic ApproachLeonard Bernstein
  261. 261Vol.VI - The Poetry of Earth - I Think This Is Again a MomentLeonard Bernstein
  262. 262Vol.VI - The Poetry of Earth - It's the EssenceLeonard Bernstein
  263. 263Vol.VI - The Poetry of Earth - If This Poem Were RewrittenLeonard Bernstein
  264. 264Vol.VI - The Poetry of Earth - Why Have I DigressedLeonard Bernstein
  265. 265Vol.VI - The Poetry of Earth - Now Can You UnderstandLeonard Bernstein
  266. 266Vol.VI - The Poetry of Earth - Untermeyer Called ThisLeonard Bernstein
  267. 267Vol.VI - The Poetry of Earth - Of Course, With the Waste LandLeonard Bernstein
  268. 268Vol.VI - The Poetry of Earth - But the Thing of It All IsLeonard Bernstein
  269. 269Vol.VI - The Poetry of Earth - We Are Going to HearLeonard Bernstein
  270. 270Vol.VI - The Poetry of Earth - One Has Only Learnt to GetLeonard Bernstein
  271. 271Vol.VI - The Poetry of Earth - Now I propose Only BecauseLeonard Bernstein
  272. 272Vol.VI - The Poetry of Earth - This Union Is Possible Only BecauseLeonard Bernstein
  273. 273Vol.VI - The Poetry of Earth - But What Has All This to Do With StravinskyLeonard Bernstein
  274. 274Vol.VI - The Poetry of Earth - And This Is the EssenceLeonard Bernstein
  275. 275Vol.VI - The Poetry of Earth - Look. Here Is a JokeLeonard Bernstein
  276. 276Vol.VI - The Poetry of Earth - Chilling, Shattering, NeoclassicLeonard Bernstein
  277. 277Vol.VI - The Poetry of Earth - Stravinsky's Own Aesthetic PronouncementsLeonard Bernstein
  278. 278Vol.VI - The Poetry of Earth - But Of Course He Was ForcedLeonard Bernstein
  279. 279Vol.VI - The Poetry of Earth - And Now We Are Finally ReadyLeonard Bernstein
  280. 280Vol.VI - The Poetry of Earth - And Then Mozart AppearsLeonard Bernstein
  281. 281Vol.VI - The Poetry of Earth - But This Eclecticism Knows No BoundsLeonard Bernstein
  282. 282Vol.VI - The Poetry of Earth - Now All This I Had Planned to Tell YouLeonard Bernstein
  283. 283Vol.VI - The Poetry of Earth - You Think That's FunnyLeonard Bernstein
  284. 284Vol.VI - The Poetry of Earth - How About ThatLeonard Bernstein
  285. 285Vol.VI - The Poetry of Earth - Then Came the AnswerLeonard Bernstein
  286. 286Vol.VI - The Poetry of Earth - But Why This Particular MisallianceLeonard Bernstein
  287. 287Vol.VI - The Poetry of Earth - My Words Are PoorLeonard Bernstein
  288. 288Stravinsky : Oedipus Rex - Prologue. Spectateurs, Vous Allez Entendre (스트라빈스키 : 오이디푸스 왕 - 프롤로그)Leonard Bernstein
  289. 289Stravinsky : Oedipus Rex Act.I - 'Caedit nos pestis'Leonard Bernstein
  290. 290Stravinsky : Oedipus Rex Act.I - 'Liberi vos liberabo'Leonard Bernstein
  291. 291Stravinsky : Oedipus Rex Act.I - 'This is Creon, Brother-In-Law of OedipusLeonard Bernstein
  292. 292Stravinsky : Oedipus Rex Act.I - 'Respondit Deus'Leonard Bernstein
  293. 293Stravinsky : Oedipus Rex Act.I - Oedipus Questions the Fountain of TruthLeonard Bernstein
  294. 294Stravinsky : Oedipus Rex Act.I - 'Dicere non possum'Leonard Bernstein
  295. 295Stravinsky : Oedipus Rex Act.I - 'Gloria!'Leonard Bernstein
  296. 296Stravinsky : Oedipus Rex Act.II - The Dispute of the Princess Attracts the Attention of JocastaLeonard Bernstein
  297. 297Stravinsky : Oedipus Rex Act.II - 'Nonn'erubescite, reges'Leonard Bernstein
  298. 298Stravinsky : Oedipus Rex Act.II - 'Ne Probentur Oracula'Leonard Bernstein
  299. 299Stravinsky : Oedipus Rex Act.II - 'Ego senem cecici'Leonard Bernstein
  300. 300Stravinsky : Oedipus Rex Act.II - The Witness to the Murder Comes Out of the ShadowLeonard Bernstein
  301. 301Stravinsky : Oedipus Rex Act.II - 'Adest omniscius pastor'Leonard Bernstein
  302. 302Stravinsky : Oedipus Rex Act.II - 'Nonne monstru rescituri'Leonard Bernstein
  303. 303Stravinsky : Oedipus Rex Act.II - And Now You Are Going to Hear That Famous MonologLeonard Bernstein
  304. 304Stravinsky : Oedipus Rex Act.II - 'Divum locastae caput mortuum!'Leonard Bernstein
  305. 305Stravinsky : Oedipus Rex Act.II - 'Ecce! Regem Oedipoda'Leonard Bernstein
  306. 306Stravinsky : Oedipus Rex - Va-le-di-coLeonard Bernstein
  307. 307Stravinsky : Oedipus Rex - During that DecadeLeonard Bernstein
  308. 308Stravinsky : Oedipus Rex - It Was At This Point That I WroteLeonard Bernstein
  309. 309Stravinsky : Oedipus Rex - What Interests Me About ItLeonard Bernstein
  310. 310Stravinsky : Oedipus Rex - Is it PossibleLeonard Bernstein
  311. 311Stravinsky : Oedipus Rex - It's As Tough in the PeriodLeonard Bernstein
  312. 312Stravinsky : Oedipus Rex - And I BelieveLeonard Bernstein

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