

1991.01.01 · 정규
Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66; Sonatas For Cello And Piano, Op. 5; 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46
Tracks
- 1
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Theme. AllegrettoTitleMartha Argerich - 2
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IMartha Argerich - 3
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IIMartha Argerich - 4
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IIIMartha Argerich - 5
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IVMartha Argerich - 6
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VMartha Argerich - 7
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VIMartha Argerich - 8
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VIIMartha Argerich - 9
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VIIIMartha Argerich - 10
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IXMartha Argerich - 11
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. AdagioMartha Argerich - 12
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi AndanteMartha Argerich - 13
Beethoven: 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. AllegroMartha Argerich - 14
Beethoven: Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - 1. Adagio sostenutoMartha Argerich - 15
Beethoven: Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - 1. AllegroMartha Argerich - 16
Beethoven: Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - 1. Adagio - PrestoMartha Argerich - 17
Beethoven: Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - 2. Rondo. Allegro vivaceMartha Argerich - 18
Beethoven: Sonata for Cello and Piano No. 2 in G Minor, Op. 5 No. 2 - 1a. Adagio sostenuto e espressivoMartha Argerich - 19
Beethoven: Sonata for Cello and Piano No. 2 in G Minor, Op. 5 No. 2 - 1b. Allegro molto più tosto prestoMartha Argerich - 20
Beethoven: Sonata for Cello and Piano No. 2 in G Minor, Op. 5 No. 2 - 2. Rondo. AllegroMartha Argerich - 21
Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. AndanteMartha Argerich - 22
Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IMartha Argerich - 23
Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IIMartha Argerich - 24
Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IIIMartha Argerich - 25
Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IVMartha Argerich - 26
Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivaceMartha Argerich - 27
Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. AdagioMartha Argerich - 28
Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppoMartha Argerich